“It is impossible for someone to lie unless he thinks he knows the truth. Producing bullshit requires no such conviction. A person who lies is thereby responding to the truth, and he is to that extent respectful of it. When an honest man speaks, he says only what he believes to be true; and for the liar, it is correspondingly indispensable that he considers his statements to be false. For the bullshitter, however, all these bets are off: he is neither on the side of the true nor on the side of the false. His eye is not on the facts at all, as the eyes of the honest man and of the liar are, except insofar as they may pertain to his interest in getting away with what he says. He does not care whether the things he says describe reality correctly. He just picks them out, or makes them up, to suit his purpose.”
“Be original… right now there’s so much copycatting, mimicking, sounding alike, and imitation. Find your production, your sound… and be original even if it ain’t hittin’.”
Yamaoka Tesshu, as a young student of Zen, visited one master after another. He called upon Dokuon of Shokoku.
Desiring to show his attainment, he said: “The mind, Buddha, and sentient beings, after all, do not exist. The true nature of phenomena is emptiness. There is no realization, no delusion, no sage, no mediocrity. There is no giving and nothing to be received.”
Dokuon, who was smoking quietly, said nothing. Suddenly he whacked Yamaoka with his bamboo pipe. This made the youth quite angry.
“If nothing exists,” inquired Dokuon, “where did this anger come from?”
Artists need copyright law because it gives their creative work a basic layer of protection, dignity, and sustainability.
First, it recognizes authorship. Copyright law legally links a work to its creator. This matters because art is not just an object, it is an extension of thought, experience, and time. Without that recognition, anyone could claim or reuse the work as if it had no origin.
Second, it prevents unauthorized copying and exploitation. Copyright gives artists control over how their work is reproduced, sold, modified, or distributed. Without it, others could profit from an artist’s labor while the artist receives nothing in return.
Third, it allows artists to earn a living. Many artists rely on licensing, commissions, prints, publishing, or royalties. Copyright makes these systems possible by defining who has the right to monetize a work and under what terms.
Fourth, it protects creative integrity. Artists can object to distortions, misuse, or contexts that misrepresent their work or intent. This is especially important when art carries personal, cultural, or political meaning.
Fifth, it encourages continued creation. When artists know their work will not be freely taken or erased, they are more likely to keep creating and sharing. A system with no protection often favors those with money and platforms, not creators.
At a global level, frameworks like the Berne Convention ensure that artists’ rights are respected across borders, while tools such as Creative Commons allow artists to intentionally share their work on their own terms.
In short, copyright law is not about limiting creativity. It exists to make sure creativity can survive without being taken advantage of.
I think creative ideas come from personal experience and curiosity.
From what we live through, what stays with us, and the questions we can’t stop asking. Curiosity pushes us to explore, and experience gives those explorations meaning. When the two meet, ideas start to form naturally, without being forced.
Personal experience gives ideas their weight, and curiosity gives them movement. Experience shapes how you see the world, while curiosity keeps you looking beyond what you already know. One grounds the idea, the other keeps it alive.
When curiosity meets lived experience, ideas don’t feel borrowed or artificial. They feel honest, because they come from paying attention to your own life and still wanting to understand more.
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