abstract expressionism

39 items found

805118504327069696

donotdestroy:

John Baldessari (1931-2020)
I Will Not Make Any More Boring Art
1971
lithograph, on ivory Arches
22 ½ x 30 1⁄8 in.
Estimate
USD 30,000 – USD 50,000

801397399258071040

donotdestroy:

“Abstract means literally to draw from or separate. In this sense every artist is abstract for he must create his own work from his visual impressions. A realistic or non-objective approach makes no difference. The result is what counts.” — Richard Diebenkorn

Richard Diebenkorn (1922-1993)
Ocean Park No.121
1980
oil on canvas
78¼ x 78 3/8 in.
Price realised
USD 7,698,500

801118071628742656

“That’s the world, that’s your world. Alive. I didn’t want to feel that I was just making marks on the surface.”

Philip Guston
Alone
1969
oil on Masonite
30 x 40 in.
Price realised
$3,012,500

799488790841409536

donotdestroy:

“When I was a younger man, art was a lonely thing. No galleries, no
collectors, no critics, no money. Yet, it was a golden age, for we all
had nothing to lose and a vision to gain. Today it is not quite the
same. It is a time of tons of verbiage, activity, consumption. Which
condition is better for the world at large I shall not venture to
discuss. But I do know, that many of those who are driven to this life
are desperately searching for those pockets of silence where we can root
and grow. We must all hope we find them.”

Untitled (1963) by Mark Rothko

795497636972183552

donotdestroy:

John Baldessari (1931-2020)
I Will Not Make Any More Boring Art
1971
lithograph, on ivory Arches
22 ½ x 30 1⁄8 in.
Estimate
USD 30,000 – USD 50,000

793255309240156160

donotdestroy:

John Baldessari (1931-2020)
I Will Not Make Any More Boring Art
1971
lithograph, on ivory Arches
22 ½ x 30 1⁄8 in.
Estimate
USD 30,000 – USD 50,000

793150380741640193

donotdestroy:

Bischoff, who in 1976 told Paul Karlstrom: “I’m still supporting myself by teaching,” had only two one man shows before his first New York show at Staempfli Gallery in 1960, including a 1955 show at the Paul Kantor Gallery in Los Angeles from which nothing sold. In contrast, leading artists in New York benefitted from a booming art market. For example, Willem de Kooning’s 1959 New York show sold out on the first day, bringing in about $150,000 (about $1.2 million dollars today, when adjusted for inflation).

Of course, de Kooning was a sensation, but many other New York artists sold well while California artists struggled. In this situation, decently paying teaching jobs were a rare and precious commodity. When it was rumored in 1955 that David Park had been offered $10,000 per year to teach at UC Berkeley, artist Nathan Oliveira – who at the time was earning $2.50 per hour teaching art 18 hours per week – thought that Park had been given “the opportunity of a lifetime.” As it turns out, Park’s actual starting annual salary was $5,300.00.

Elmer Bischoff
Seated Figure in Garden
1958
Oil on canvas
47 ¾ × 56 3/4in.
Whitney Museum of American Art, New York

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