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“Through performance I found the possibility of establishing a dialogue
with the audience through an exchange of energy, which tended to
transform the energy itself. I could not produce a single work without
the presence of the audience, because the audience gave me the energy to
be able, through a specific action, to assimilate it and return it, to
create a genuine field of energy.”—Marina Abramović
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Throne of Blood (蜘蛛巣城, Kumonosu-jō, literally, “Spider Web Castle”) by Akira Kurosawa, 1957