art of the day
767599952224534528
“I write about my own work because I want to speak for myself. I might not be the only authority, nor the best authority, but I want to participate in the writing of my own history. Why should artists be validated by outside authorities. I don’t like being paternalised and colonised by every Tom, Dick or Harry that comes along (male or female).” — Marlene Dumas
747773246107156480
Richard Serra. Television Delivers People. 1973
747738021520130048
Installation photo of Richard Serra Sculpture: Forty Years, The Museum of Modern Art, New York, June 3–September 24, 2007. Photo: Lorenz Kienzle
747592112935174144
747483840922173440
“We now call it the community industry. The history of the web went as follows: at first it was military, then education and now commerce oriented. What are the possibilities of artists in the confrontation with these three systems? All of the time you can notice the anti-authoritarian spirit that changes flavour. At one stage it is simply pacifist. At another time, when it comes to education, it deals with intellectual independence. As Twain once said: “I’ve never let my school interfere with my education”.
Right now, we live in a corporate atmosphere. The dominant frame in the artistic field is decorative art, but I cannot waste my time discussing it. In new media art, the radical and experimental artists always confront the dominant frame. And right now, it is the community industry that provides the most useful grip that the corporate world can possibly have on the online population. You have all these various dimensions of self-‐disclosure, and when you disclose things about yourself you share parts of your privacy that feed the system. And I think this is a good topic for artists. I am currently working on a project with Heath Bunting. I think this is a good topic because people are blind, they behave as sheep.” — Vuk Ćosić
Vuk Ćosić
Deep ASCII
2021
Token ID: 0
Contract Address: 0x2C3c…dfFc
Non-Fungible Token: ERC-1155
MP4: 46.1 MB (48,440,942 bytes), 742x1034px, 00:01:19
From the 1998 full length video Deep ASCII, running time 59 minutes
Estimate
£40,000 – 50,000
735270892172673026
“I have found that in accepting and immersing myself in subject matter I paint with more intensity and that the ‘hows’ of painting are more inevitably determined by the ‘whats’.” — David Park
David Park (1911-1960)
Two People in White
1957
oil on canvas
24 x 32 in.
Price realised
USD 378,000
733168058751991808
“I believe that who we are, and consequently the work that we make, whether we’re visual artists or writers or journalists or filmmakers, is a projection of where we were born, what’s been withheld or lavished upon us, our color, our sex, our class. And everything we do in life to some degree is a reflection of that context.” — Barbara Kruger
Barbara Kruger
Untitled (How come only the unborn have the right to life?)
1986
photograph and type on paper.
732518647170547713
“The angel, a transcendent being, has become powerless, unable to carry out God’s will, or to help those who believe in its existence.” — Sun Yuan and Peng Yu
Sun Yuan and Peng Yu
Angel
2008
Silica Gel, Fiberglass, Stainless Steel, Woven Mesh
180 × 220 cm
146123235709
“’Impressionism’ was the
name given to a certain form of observation when Monet, not content
with using his eyes to see what things were or what they looked like as
everybody had done before him, turned his attention to noting what took
place on his own retina (as an oculist would test his own vision).”
White Ships by John Singer Sargent