“It is impossible for someone to lie unless he thinks he knows the truth. Producing bullshit requires no such conviction. A person who lies is thereby responding to the truth, and he is to that extent respectful of it. When an honest man speaks, he says only what he believes to be true; and for the liar, it is correspondingly indispensable that he considers his statements to be false. For the bullshitter, however, all these bets are off: he is neither on the side of the true nor on the side of the false. His eye is not on the facts at all, as the eyes of the honest man and of the liar are, except insofar as they may pertain to his interest in getting away with what he says. He does not care whether the things he says describe reality correctly. He just picks them out, or makes them up, to suit his purpose.”
“Museums are managers of consciousness. They give us an
interpretation of history, of how to view the world and locate ourselves
in it. They are, if you want to put it in positive terms, great
educational institutions. If you want to put it in negative terms, they
are propaganda machines.”
“Art for the most part, is about concentration, solitude and determination. It’s really not about other people’s needs and assumptions. I’m not interested in the notion that art serves something. Art is useless, not useful.”
“Art has been valued and given importance through the artist, regarded as the one who creates something wondrous and beautiful. At a certain point, artists within that way of thinking often distance themselves more and more from the community and society. In Thai education, this system of teaching and learning art is still being used.”
“When art is no longer the center of the universe, then artists are not either. This has been a question asked of artists since the time of Walter Benjamin. He spoke about this long ago, and it has been written about for a long time.
“In the modernist view, the artist was seen as something close to a superhuman — exalted as someone with supreme specialness, with an intuition that could not be explained. When the artist was elevated above us, above the university guard or the noodle vendor next door, the artist became like a kind of demi-god, regarded as more special than anyone else.
“In fact, in contemporary thought, the artist is like a motorcycle taxi driver — it’s just another profession. We work within a framework of knowledge that is not some kind of miracle. And art itself depends on other bodies of knowledge.”
Jiradej Meemalai Co-founder of ‘Baan Noorg Collaborative Arts & Culture’
“เมื่อศิลปะไม่เป็นศูนย์กลางจักรวาล ศิลปินก็จะไม่เป็นด้วย ซึ่งศิลปินเคยถูกตั้งคำถามนี้มาตั้งแต่สมัย Benjamin Walter เขาพูดเรื่องนี้มานานแล้ว หนังสือก็เขียนมานานแล้ว
“Art for the most part, is about concentration, solitude and determination. It’s really not about other people’s needs and assumptions. I’m not interested in the notion that art serves something. Art is useless, not useful.”
Richard Serra (b. 1938, San Francisco) Strike: To Roberta and Rudy 1969–71 Hot-rolled steel 8 ft 1 in x 24 ft x 1 ½ in Guggenheim Museum, New York
