“In 2005, researchers at the University of Southern California found the first evidence of brain abnormalities in pathological liars — the prefrontal cortex is always very active when people are telling lies, but their study found that liars had 25 percent more white matter, and 14 percent less gray matter, in their prefrontal cortex than non-liars, suggesting there can be a physiological predisposition to being a bullshit artist.”
“How does evolutionary pressure toward competitiveness manifest itself in our day-to-day life? We approach challenges and competitions with a strong goal of winning. We feel happy (psychologically reinforced for our efforts) when we win. We feel angry or disappointed (psychologically punished) if we lose. The reactions of others may also reinforce our efforts to win. Cheers and high-5s make us feel good when we win. Our pals shaking their heads or looking at their feet when we lose has the opposite effect. Because our culture endorses winning, we see many models of winners reaping benefits and losers eating crow. These models affect us, consciously and unconsciously.”
“There are different reasons why people bully, including wanting to dominate others and improve their social status, having low self-esteem and wanting to feel better about themselves, and lacking remorse or failing to recognize their behavior as a problem.”
Bischoff, who in 1976 told Paul Karlstrom: “I’m still supporting myself by teaching,” had only two one man shows before his first New York show at Staempfli Gallery in 1960, including a 1955 show at the Paul Kantor Gallery in Los Angeles from which nothing sold. In contrast, leading artists in New York benefitted from a booming art market. For example, Willem de Kooning’s 1959 New York show sold out on the first day, bringing in about $150,000 (about $1.2 million dollars today, when adjusted for inflation).
Of course, de Kooning was a sensation, but many other New York artists sold well while California artists struggled. In this situation, decently paying teaching jobs were a rare and precious commodity. When it was rumored in 1955 that David Park had been offered $10,000 per year to teach at UC Berkeley, artist Nathan Oliveira – who at the time was earning $2.50 per hour teaching art 18 hours per week – thought that Park had been given “the opportunity of a lifetime.” As it turns out, Park’s actual starting annual salary was $5,300.00.
Elmer Bischoff Seated Figure in Garden 1958 Oil on canvas 47 ¾ × 56 3/4in. Whitney Museum of American Art, New York
“Children in Shizuoka need more models. I thought I was making things, but I wasn’t. I want them to develop the habit of making things with their own hands.” — RIP Shunsaku Tamiya
“So bullshitting isn’t just nonsense. It’s constructed in order to appear meaningful, though on closer examination, it isn’t. And bullshit isn’t the same as lying. A liar knows the truth but makes statements deliberately intended to sell people on falsehoods. bullshitters, in contrast, aren’t concerned about what’s true or not, so much as they’re trying to appear as if they know what they’re talking about. In that sense, bullshitting can be thought of as a verbal demonstration of the Dunning-Kruger effect—when people speak from a position of disproportionate confidence about their knowledge relative to what little they actually know, bullshit is often the result.”
