If a painting is created mainly to match a luxurious interior rather than to express something deeply personal or challenge ideas, then it leans more toward decorative art, even if it’s technically a painting. It becomes part of the decor rather than a standalone statement.
That raises an interesting question—does the intent of the artist or the way the artwork is used define whether it’s fine art or decorative art? If someone paints with raw emotion and meaning but it ends up as a luxury wall piece, does that change what it is?
Especially with modern abstract painting—it’s everywhere in high-end homes, hotels, and corporate spaces. A lot of it seems designed to be aesthetically pleasing but not too thought-provoking, so it blends into the environment rather than demanding attention. It feels like abstraction has been commercialized into a luxury good rather than a form of deep expression, at least in many cases.
Of course, that doesn’t mean all abstract art today is purely decorative. There are still artists pushing boundaries and using abstraction in meaningful ways. But a lot of what sells seems to be more about fitting a vibe than saying something.
“Hatred has to be learned, Golden says: ‘We are all born with the capacity for aggression as well as compassion. Which tendencies we embrace requires mindful choice by individuals, families, communities and our culture in general. The key to overcoming hate is education: at home, in schools, and in the community.’ According to Dutchevici, facing the fear of being vulnerable and utterly human is what allows us to connect, to feel, and ultimately, to love. She suggests creating ‘cracks in the system.’ These cracks can be as simple as connecting to your neighbor, talking with a friend, starting a protest, or even going to therapy and connecting with an ‘Other.’ It is through these acts that one can understand hate and love.”
You are what you hate. What you hate says a lot about who you are and what you value. _ The response in the body when we dislike someone
In order to understand what happens in your body when you dislike someone, you can start by trying to understand #fear. As Robert Sapolsky writes in “Why Your Brain Hates Other People,” when we see someone who even looks different from us, “there is preferential activation of the amygdala,” which means the brain region associated with fear and aggression flares up. This visceral, emotional reaction can spark a long-term pattern of dislike when it’s validated by action: if you perceive that someone has hurt you, your fear of them becomes rational.
Our negative feelings toward someone get stronger as bad experiences with them pile up, and these negative thoughts trigger the fight-or-flight response in our bodies. As AJ Marsden, assistant professor of Psychology at Beacon College in Leesburg, Florida, puts it, “our fight-or-flight response is our bodies way of dealing with a stressor.” ⠀ Stressors that trigger fight-or-flight need not be life or death, though, says Marsden: “Sadly, our body cannot tell the difference between an actual stressor (being chased by someone with a knife) and a perceived stressor (having work with someone you hate).” This is why seeing posts from your high school bully can make you feel the anxiety of being bullied all over again: your fearful associations with disliking the person trigger your own need to protect yourself. ⠀ Source: headspace.com
Art Series: The Middle Finger #Organic T-Shirt.
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A movement forms when: – the work keeps evolving while imitators stay static – the idea expands beyond a single form – viewers begin to reference the thinking, not the image
As Marcel Duchamp showed, once the idea is stronger than the object, imitation loses its power.
“I don’t really care so much what people say about me because it usually is a reflection of who they are. For example, if people wish I would sound like I used to sound, then it says more about them than it does me.”
“Then you can choose to take the high road, consider that imitation is a form of flattery so to speak and decide to not spend too much energy on the issue. Publicize your art as much as you can and make it sure serious buyers and art galleries know that your style is genuinely yours. Copycats usually get tired after a while: after all there is not much personal satisfaction in copying and they will often go from copying one artist to copying another. What they are copying is also something you did in the past, and because you are the creative force behind the art that is being copied, you often moved on to the next step in your art journey being always one step ahead. You own the creative tools, they are just replicating an end product.”
“What a funny thing painting is. The abstract painters always insist on their connection with the visible reality, while the so called figurative artists insist that what they really care about, is the abstract qualities of life.”
Marlene Dumas (b. 1953) The White Disease signed, titled and dated ‘The White disease Marlene Dumas 1985’ (on the reverse) oil on canvas 51 3/8 x 43½ in. (130.5 x 110.5 cm.) Painted in 1985. Price realised USD 998,500
“Foundation is a decentralized NFT marketplace launched in early 2021. It aims to connect digital artists and collectors through a platform that emphasizes quality and originality. Unlike other marketplaces that prioritize volume, Foundation focuses on curating a selection of high-quality NFTs, making it a popular choice for serious artists and collectors.”
“The overriding element in chronic psychological manipulation is always an issue of power and control. Manipulators are driven by a need for power and control over every situation. In some cases, this can arise from past trauma… In more devious circumstances, it is a method of controlling others for outcomes like personal leverage, a need to feel better than everyone else, a bid for attention, or a desire to have an advantage.”
