“So bullshitting isn’t just nonsense. It’s constructed in order to appear meaningful, though on closer examination, it isn’t. And bullshit isn’t the same as lying. A liar knows the truth but makes statements deliberately intended to sell people on falsehoods. bullshitters, in contrast, aren’t concerned about what’s true or not, so much as they’re trying to appear as if they know what they’re talking about. In that sense, bullshitting can be thought of as a verbal demonstration of the Dunning-Kruger effect—when people speak from a position of disproportionate confidence about their knowledge relative to what little they actually know, bullshit is often the result.”
“For me, transcending is like a jolt of bliss. You’re in one place, and then you dip into the transcendent, the field of pure consciousness. It’s like being plugged into an electric circuit; you get a jolt of happiness. It’s very beautiful. And the more you practice this technique, the longer you stay in the transcendent. Short beautiful rides lead to longer beautiful rides. I always say it’s like gold coming in and garbage going out. When you transcend and you’ve experienced this happiness, you have less stress, less depression, less sadness, less fear, less hate, less bitter anger—all negativity starts to dissipate the more you transcend. You start feeling better. You start acting better. You start enjoying more.” — David Lynch
“I still think science is looking for answers and art is looking for questions.” ⠀ Quinn sees the skeleton as representative of an everyman, an abstraction of a person since it is the part of the body which transcends death. The sculptures Angel and Waiting for Godot take the form of a praying skeleton and are an ironic reference to the idea of waiting for answers – or for some kind of external power to guide our life. ⠀ Marc Quinn Waiting for Godot 2006 Patinated bronze 77h x 37w x 76.5d cm
“The male ego can in some cases be tied to how and where a man sees his place in the world and whether he’s living up to expectations — his and those of society.
Cultural stereotypes for men can be intricately tied to both the inflation and deflation of the male ego. Some men measure themselves by the answers to the following questions:
Am I strong enough? Am I wealthy enough? Do I meet the traditional definition of masculinity? Do I attract women? Do I control things or people? Do people recognize me for these things and am I respected and revered for them?”
