artquotes

195 items found

775029303755866112

“I don’t have a burning desire to go out and document anything. It just happens when it happens. It’s not a conscious effort, nor is it a struggle. Wouldn’t do it if it was. The idea of the suffering artist has never appealed to me. Being here is suffering enough.”

William Eggleston
Untitled
c. 1971-1974
pigment print, flush-mounted on board, printed 2012
overall framed: 60 x 44 in. (152 x 112 cm.)
Price realised
USD 1,441,500

774845372804857856

“I am primarily painting from photographs these days (from illustrated magazines but also from family photos), in a sense this is a stylistic problem, the form is naturalistic, even though the photograph is not nature at all but a prefabricated product (the “second-hand world” in which we live), I do not have to intervene artistically with style, since the stylization (deformation in form and color) contributes only under very particular circumstances toward clarifying and intensifying an object or a subject (generally stylization becomes the central problem which obscures everything else (object, subject), it leads to an unmotivated artificiality, an untouchable formalist taboo.”

Gerhard Richter
Abstraktes Bild
signed, inscribed and dated ‘809-4 Richter 1994’ (on the reverse)
oil on canvas
88 5⁄8 x 78 3⁄4 in. (225 x 200 cm.)
Painted in 1994.
Price realised
USD 38,175,000

774712928735789056

Fine vs Decorative Art

If a painting is created mainly to match a luxurious interior rather than to express something deeply personal or challenge ideas, then it leans more toward decorative art, even if it’s technically a painting. It becomes part of the decor rather than a standalone statement.

That raises an interesting question—does the intent of the artist or the way the artwork is used define whether it’s fine art or decorative art? If someone paints with raw emotion and meaning but it ends up as a luxury wall piece, does that change what it is?

Especially with modern abstract painting—it’s everywhere in high-end homes, hotels, and corporate spaces. A lot of it seems designed to be aesthetically pleasing but not too thought-provoking, so it blends into the environment rather than demanding attention. It feels like abstraction has been commercialized into a luxury good rather than a form of deep expression, at least in many cases.

Of course, that doesn’t mean all abstract art today is purely decorative. There are still artists pushing boundaries and using abstraction in meaningful ways. But a lot of what sells seems to be more about fitting a vibe than saying something.

By ChatGPT

774669193720233984

“Where there is no shadow, there is no light.”

Michelangelo Merisi da Caravaggio (1571-1610)
The Taking of Christ
1602
oil on canvas
133.5 cm × 169.5 cm (52.6 in × 66.7 in)
National Gallery of Ireland

774569373689167873

“I blur things to make everything equally important and equally unimportant. I blur things so that they do not look artistic or craftsmanlike but technological, smooth and perfect. I blur things to make all the parts a closer fit. Perhaps I also blur out the excess of unimportant information.”

Gerhard Richter (b. 1932)
Zwei Liebespaare
signed, titled and dated ’“Zwei Liebespaare” Richter 66’ (on the reverse)
oil on canvas
45¼ x 63in. (115 x 160cm.)
Painted in 1966
Price realised
GBP 7,300,500

774567246070726656

Paintings from thrift stores.

774552857832816640

“You are a light. You are the light. Never let anyone — any person or any force — dampen, dim or diminish your light … Release the need to hate, to harbor division, and the enticement of revenge. Release all bitterness. Hold only love, only peace in your heart, knowing that the battle of good to overcome evil is already won.” — John Lewis

John Lewis
2020
Watercolor on paper
12 x 9 in
Price: Not for Sale