Conceptual art

89 items found

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Marcel Duchamp interview on Art and Dada (1956)

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“Art for the most part, is about concentration, solitude and determination. It’s really not about other people’s needs and assumptions. I’m not interested in the notion that art serves something. Art is useless, not useful.” — Richard Serra

Richard Serra
TTI London
2007
two torqued tori of weatherproof steel
each 14 x 35″
installation view

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“What is truth? Truth doesn’t really exist. Who is going to judge whether my experience of an incident is more valid than yours? No one can be trusted to be the judge of that.” — Tracey Emin

Tracey Emin
Sad Shower in New York
1995
Monoprint on paper
420 × 593 mm
Tate Collections

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“I believe that who we are, and consequently the work that we make, whether we’re visual artists or writers or journalists or filmmakers, is a projection of where we were born, what’s been withheld or lavished upon us, our color, our sex, our class. And everything we do in life to some degree is a reflection of that context.” — Barbara Kruger

Barbara Kruger
Untitled (How come only the unborn have the right to life?)
1986
photograph and type on paper.

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“The angel, a transcendent being, has become powerless, unable to carry out God’s will, or to help those who believe in its existence.” — Sun Yuan and Peng Yu

Sun Yuan and Peng Yu
Angel
2008
Silica Gel, Fiberglass, Stainless Steel, Woven Mesh
180 × 220 cm

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John Baldessari (1931-2020)
I Will Not Make Any More Boring Art
1971
lithograph, on ivory Arches
22 ½ x 30 1⁄8 in.
Estimate
USD 30,000 – USD 50,000

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“Being happy is more important than anything else.”

— Jenny Holzer

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White cube

Refers to a certain gallery aesthetic characterised by its square or oblong shape, white walls and a light source usually from the ceiling

The aesthetic was introduced in the early twentieth century in response to the increasing abstraction of modern art. With an emphasis on colour and light, artists from groups like De Stijl and the Bauhaus preferred to exhibit their works against white walls in order to minimise distraction. The white walls were also thought to act as a frame, rather like the borders of a photograph. A parallel evolution in architecture and design provided the right environment for the art.

In 1976 Brian O’Doherty wrote a series of essays for Artforum magazine, later turned into a book called Inside the White Cube, in which he confronted the modernist obsession with the white cube arguing that every object became almost sacred inside it, making the reading of art problematic.

— Tate

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CONFUSING YOURSELF IS A WAY TO STAY HONEST

— Jenny Holzer

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“In
social media’s early heyday—the time of Occupy and the Arab Spring—big
tech was heralded in the mainstream as a democratizing force, but it’s
become clear that these commercial platforms aren’t serving the public
good. In fact, these platforms consolidate the worst extremes of
neoliberal ideology. While users are turned into products, the ruling
class becomes increasingly powerful and unaccountable to the people.

Digital
infrastructure offers no true space for dissent when it is privately
owned. Online activism only serves to direct atomized attention to
advertisers. This process mirrors the shift of public wealth to private
hands, whereby what were once shared resources (e.g. libraries) become
data-optimized, privatized operations. Work and life are merged entirely
and solidarity disappears behind corporate smokescreens. Underneath the
technophilic rhetoric of progress lies a race for information,
financial, and labor control that ensures growth is the domain of only
the rich and the few.”

DIS