Contemporary art
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Tracey Emin in Confidence interview
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Conversations | Premiere | Artist Talk | Trevor Paglen and Jenny Holzer
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Shift by Jenny Saville
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When works of art are presented like rare butterflies on the walls, they’re decontextualized. We admire their beauty, and I have nothing against that, per se. But there is more to art than that.
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“Museums are managers of consciousness. They give us an
interpretation of history, of how to view the world and locate ourselves
in it. They are, if you want to put it in positive terms, great
educational institutions. If you want to put it in negative terms, they
are propaganda machines.”
by Hans Haacke
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Pope Struck by Maurizio Cattelan
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I can’t say I’m wiser; I’m probably more foolish. But I think I’ve accepted that making things that are beautiful is interesting, whereas before I was not interested in beauty at all. I was anti-beauty, I would say. I like that something reveals itself slowly, it doesn’t have to shout it. That’s shocked me.” It was having children that changed her work. “I find watching them so beautiful that I have accepted that sort of beauty into my life.
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Keep it real.
Art by Jenny Saville
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1985-90 by Guerrilla Girls
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Jean-Michel Basquiat Fun Gallery/Crosby St Studio Interview (November 1982)
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For the Love of God by Damien Hirst
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Installation Art by Rirkrit Tiravanija