You are what you hate. What you hate says a lot about who you are and what you value. _ The response in the body when we dislike someone
In order to understand what happens in your body when you dislike someone, you can start by trying to understand #fear. As Robert Sapolsky writes in “Why Your Brain Hates Other People,” when we see someone who even looks different from us, “there is preferential activation of the amygdala,” which means the brain region associated with fear and aggression flares up. This visceral, emotional reaction can spark a long-term pattern of dislike when it’s validated by action: if you perceive that someone has hurt you, your fear of them becomes rational.
Our negative feelings toward someone get stronger as bad experiences with them pile up, and these negative thoughts trigger the fight-or-flight response in our bodies. As AJ Marsden, assistant professor of Psychology at Beacon College in Leesburg, Florida, puts it, “our fight-or-flight response is our bodies way of dealing with a stressor.” ⠀ Stressors that trigger fight-or-flight need not be life or death, though, says Marsden: “Sadly, our body cannot tell the difference between an actual stressor (being chased by someone with a knife) and a perceived stressor (having work with someone you hate).” This is why seeing posts from your high school bully can make you feel the anxiety of being bullied all over again: your fearful associations with disliking the person trigger your own need to protect yourself. ⠀ Source: https://bit.ly/3h7ALZu
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Object-Oriented Ontology (OOO) isn’t an art movement originally, but a philosophical framework that’s had influence in contemporary art and theory.
Here’s the gist:
What it is: OOO is a branch of speculative realism, developed mainly by Graham Harman, Levi Bryant, and Ian Bogost in the early 2000s.
Core idea: Objects exist independently of human perception. A chair, a rock, a virus, or even a fictional character has its own reality that isn’t reducible to how humans experience or use it.
Why it matters for art: Traditional Western art has long been human-centered — even abstract or minimalist works are often framed around human meaning or perception. OOO pushes back against this “anthropocentrism.”
In art practice: Artists influenced by OOO often explore the agency of objects themselves, how materials interact with each other, or how nonhuman entities (machines, ecosystems, algorithms) shape reality. This can look “anti-human figure” because the focus shifts from people to things.
Examples in art influenced by OOO:
Installations where objects “confront” viewers as independent beings.
Works that emphasize materiality — like how steel, plastic, or digital code behaves on its own.
Ecological and post-humanist art that treats humans as just one actor among many.
So in a sense, OOO isn’t anti-human like Suprematism or Constructivism were, but it de-centers humans — making the human figure no longer the default subject of art.
According to information provided by the Human Rights Foundation on 7 August and verified by ArtReview, representatives of the Bangkok Metropolitan Administration (the main funder of BACC) accompanied by Chinese embassy officials visited the exhibition on 27 July, three days after it opened, and flagged several works as ‘problematic’. Works by Hong Kong artists Clara Cheung and Gum Cheng Yee Man, Tibetan artist Tenzin Mingyur Paldron and Uyghur artist Mukaddas Mijit were removed or obscured and the names of the artists were blacked out.
“I still think science is looking for answers and art is looking for questions.” ⠀ Quinn sees the skeleton as representative of an everyman, an abstraction of a person since it is the part of the body which transcends death. The sculptures Angel and Waiting for Godot take the form of a praying skeleton and are an ironic reference to the idea of waiting for answers – or for some kind of external power to guide our life. ⠀ Marc Quinn Waiting for Godot 2006 Patinated bronze 77h x 37w x 76.5d cm
