“Then you can choose to take the high road, consider that imitation is a form of flattery so to speak and decide to not spend too much energy on the issue. Publicize your art as much as you can and make it sure serious buyers and art galleries know that your style is genuinely yours. Copycats usually get tired after a while: after all there is not much personal satisfaction in copying and they will often go from copying one artist to copying another. What they are copying is also something you did in the past, and because you are the creative force behind the art that is being copied, you often moved on to the next step in your art journey being always one step ahead. You own the creative tools, they are just replicating an end product.”
“There are a number of theories on the reasons why people experience jealousy. Whether it’s over what other people have that we don’t or have accomplished by means of resources, privilege, opportunity, or hard work, it seems like jealousy has always been a part of being human. One theory is that jealousy was how our early ancestors defended themselves from infidelity, according to evolutionary psychology. Today, we’ve taken theory and applied it to more rigorous scientific study.”
One study of just this concept found that nearly half of people surveyed would rather make $50,000 in a world where the average salary is $25,000 than make $100,000 in a world where the average is $200,000; that is, they prioritized making more relative to other people rather than having a higher overall income. As the saying goes, “If you and I are being chased by a bear, I don’t have to outrun the bear; I just have to outrun you.”
“Deceiving yourself shouldn’t make logical sense. After all, lying involves telling someone something you know to be untrue. When you are both the liar and one lied to, this means you have to both know the truth and not know the truth. In practice, that means willfully disregarding key knowledge to arrive at a conclusion that is more convenient than what the facts appear to suggest.”
“The male ego can in some cases be tied to how and where a man sees his place in the world and whether he’s living up to expectations — his and those of society.
Cultural stereotypes for men can be intricately tied to both the inflation and deflation of the male ego. Some men measure themselves by the answers to the following questions:
Am I strong enough? Am I wealthy enough? Do I meet the traditional definition of masculinity? Do I attract women? Do I control things or people? Do people recognize me for these things and am I respected and revered for them?”
“The difference between an artist who finds sales and someone like Vincent van Gogh, who never did, is that van Gogh quietly changed the world—while others simply passed through it.”
