critique

12 items found

790954348839600128

donotdestroy:

“Those who engage in public corrections of this sort often are looking to feel good about themselves, and, according to Benoît Monin, a psychology professor at Stanford University, displays of language all-knowing-ness provide a ready-made, two-pronged opportunity to do so. ‘The way we evaluate our competence is relative to other people,’ he says. ‘If I need to feel good about my language skills, one way that I could do that would be to give myself evidence that my language skills are awesome. Another is to give myself evidence that other people’s language skills suck. So by putting down other people, I can feel better about myself.’”

790139767453106176

donotdestroy:

“Those who engage in public corrections of this sort often are looking to feel good about themselves, and, according to Benoît Monin, a psychology professor at Stanford University, displays of language all-knowing-ness provide a ready-made, two-pronged opportunity to do so. ‘The way we evaluate our competence is relative to other people,’ he says. ‘If I need to feel good about my language skills, one way that I could do that would be to give myself evidence that my language skills are awesome. Another is to give myself evidence that other people’s language skills suck. So by putting down other people, I can feel better about myself.’”

789023431924596736

“Those who engage in public corrections of this sort often are looking to feel good about themselves, and, according to Benoît Monin, a psychology professor at Stanford University, displays of language all-knowing-ness provide a ready-made, two-pronged opportunity to do so. ‘The way we evaluate our competence is relative to other people,’ he says. ‘If I need to feel good about my language skills, one way that I could do that would be to give myself evidence that my language skills are awesome. Another is to give myself evidence that other people’s language skills suck. So by putting down other people, I can feel better about myself.’”

774069960854093825

On My Mind: The importance of words

donotdestroy:

There is of course a
difference between words in the artist’s mind and words of critique or
review. The artist’s words are words of intent, of defining the vision
or painting’s aim, and may be silent, or private. The critic’s words are
to conjure the achieved effect of the artist as the critic sees it. I
think trying to define what and why you are painting is important. These
words can enrich the way in which you put paint down, they can
determine what you choose to eliminate or emphasize. In itself a title
to a painting is already a lead-in both for you the artist and for your
viewer. I was recently looking at work of Korean painter whose work is
entirely abstract, a color field. His titles pertain to Korean pottery
referencing celadon and antique glazes. No question that expands one’s
appreciation/viewing.

—Anonymous

146010406002

On My Mind: The importance of words

There is of course a
difference between words in the artist’s mind and words of critique or
review. The artist’s words are words of intent, of defining the vision
or painting’s aim, and may be silent, or private. The critic’s words are
to conjure the achieved effect of the artist as the critic sees it. I
think trying to define what and why you are painting is important. These
words can enrich the way in which you put paint down, they can
determine what you choose to eliminate or emphasize. In itself a title
to a painting is already a lead-in both for you the artist and for your
viewer. I was recently looking at work of Korean painter whose work is
entirely abstract, a color field. His titles pertain to Korean pottery
referencing celadon and antique glazes. No question that expands one’s
appreciation/viewing.

—Anonymous