figurativepainting
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“I don’t want to express violence or anger or hate in my art. I want to express forgiveness.”
Raymond Pettibon
“OF A SCENE ON WHICH REAL ISM WAS NEW DRAWING”
2000
Ink, felt-tip pen, and newspaper collage on paper
27.5 x 21.5 cm.
Price Realised
EUR 6,300
777969080417304576

True
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Van Gogh sold one painting in his lifetime. Was he not an artist?
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“An idea is more important than style. Style is merely the vehicle for the idea.”
— Sol LeWitt
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“You change the world by being yourself.”
Yoko Ono
Cut Piece
1964
performed in New Works of Yoko Ono,
Carnegie Recital Hall, New York
March 21, 1965
Photo: Minoru Niizuma
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“The purpose of art is mystery.”
René Magritte
The Rape
1966
graphite on wove paper
35.9 x 27 cm (14 1/8 x 10 5/8 in.)
777372157967745024
“Concept is king. Without a strong idea, style is just decoration.”
– Unknown
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Estimated Representation of Asian Artists in Art History Books
Pre-20th Century (Before 1900s)
- Western art history books: Less than 2%
- Global art history books: 10–15% (including Chinese, Japanese, Indian, and Persian art)
20th Century (1900–1999)
- Western-focused books: 3–5%
- More globally aware books: 15–20%
- Asian artists became more recognized in the contemporary period, especially post-1950s.
21st Century (2000–Present)
- Traditional Western art books: 5–10%
- Contemporary/global art books: 20–30%
- With globalization, more Asian artists are included, particularly from China, Japan, Korea, and India.
Overall Estimate (From Past to Present)
- Western-centric books: ~3–5% Asian artists across all periods.
- Global/inclusive books: ~15–20%, rising in recent years.
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I’d be a little jealous if your art made it into MoMA!
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“My painting is not violent, it’s life that is violent. Even within the most beautiful landscape, in the trees, under the leaves, the insects are eating each other; violence is a part of life. We are born with a scream; we come into life with a scream and maybe love is a mosquito net between the fear of living and the fear of death.”
Francis Bacon
Study for Portrait
1977
oil and dry transfer lettering on canvas
78 x 58 1/8 in.
Price realised
USD 49,812,500
776106724756258816

“If I saw the art around me that I liked, then I wouldn’t do art.”
John Baldessari
Inflatable Women/Divers/Baby
1988
Black and white photographs, oil tint, and vinyl paint
91 x 72½ in.
Price realised
USD 314,500
775482691897491456

“I’d always wanted to know the difference between a mark that was art and one that wasn’t.” — Roy Lichtenstein
Roy Lichtenstein (1923-1997)
Kiss III
1962
Magna on canvas
64 x 48 in.
Price realised
USD 31,135,000
774712928735789056
Fine vs Decorative Art
If a painting is created mainly to match a luxurious interior rather than to express something deeply personal or challenge ideas, then it leans more toward decorative art, even if it’s technically a painting. It becomes part of the decor rather than a standalone statement.
That raises an interesting question—does the intent of the artist or the way the artwork is used define whether it’s fine art or decorative art? If someone paints with raw emotion and meaning but it ends up as a luxury wall piece, does that change what it is?
Especially with modern abstract painting—it’s everywhere in high-end homes, hotels, and corporate spaces. A lot of it seems designed to be aesthetically pleasing but not too thought-provoking, so it blends into the environment rather than demanding attention. It feels like abstraction has been commercialized into a luxury good rather than a form of deep expression, at least in many cases.
Of course, that doesn’t mean all abstract art today is purely decorative. There are still artists pushing boundaries and using abstraction in meaningful ways. But a lot of what sells seems to be more about fitting a vibe than saying something.
By ChatGPT
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“Where there is no shadow, there is no light.”
Michelangelo Merisi da Caravaggio (1571-1610)
The Taking of Christ
1602
oil on canvas
133.5 cm × 169.5 cm (52.6 in × 66.7 in)
National Gallery of Ireland