figure drawing
775944506560430080
“You really need faith in yourself to make art and to stand up for what you believe in.”
Elizabeth Peyton
Balzac + Roses
2008
watercolour on paper
12 ¼ x 9 in.
Estimate
GBP 50,000 – GBP 70,000
774471635113852928
Bischoff, who in 1976 told Paul Karlstrom: “I’m still supporting myself by teaching,” had only two one man shows before his first New York show at Staempfli Gallery in 1960, including a 1955 show at the Paul Kantor Gallery in Los Angeles from which nothing sold. In contrast, leading artists in New York benefitted from a booming art market. For example, Willem de Kooning’s 1959 New York show sold out on the first day, bringing in about $150,000 (about $1.2 million dollars today, when adjusted for inflation).
Of course, de Kooning was a sensation, but many other New York artists sold well while California artists struggled. In this situation, decently paying teaching jobs were a rare and precious commodity. When it was rumored in 1955 that David Park had been offered $10,000 per year to teach at UC Berkeley, artist Nathan Oliveira – who at the time was earning $2.50 per hour teaching art 18 hours per week – thought that Park had been given “the opportunity of a lifetime.” As it turns out, Park’s actual starting annual salary was $5,300.00.
Elmer Bischoff
Orange Sweater
1955
Oil on canvas
48 ½ in. x 57 in.
SFMoMA collections
773188106454220800
“The job of the artist is to make the world visible.”
David Park (1911-1960)
Boy in Striped Shirt
signed and dated ‘Park 59’ (upper left); titled ‘BOY IN STRIPED SHIRT’ (on the overlap)
oil on canvas
50 x 36 in. (127 x 91.4 cm.)
Painted in 1959.
Price realised
USD 1,323,750
772313363339509760
“You really need faith in yourself to make art and to stand up for what you believe in.” — Elizabeth Peyton
ELIZABETH PEYTON (B. 1965)
Liam Gallagher (Glastonbury 1995)
signed, titled and dated ‘LIAM GALLAGHER (GLASTONBURY 1995) Elizabeth Peyton 1995’ (on the reverse)
oil on panel
22 1/8 x 18 1/8 in. (56.2 x 46 cm.)
Painted in 1995.
Price realised
USD 1,740,000
772195321794134016
“A true artist is not one who is inspired, but one who inspires others.” — Salvador Dali
Salvador Dalí (1904-1989)
Naissance de l’ameublement paranoïaque
gouache and charcoal on paper
25 1/8 x 19 1/8 in. (63.7 x 48.4 cm.)
Executed circa 1937
Price realised:
USD 1,095,000
771779577024528384
“Painting is not made to decorate apartments. It’s an offensive and defensive weapon against the enemy.” — Pablo Picasso
Pablo Picasso (1881-1973)
Fillette à la corbeille fleurie
1905
oil on canvas
60 7/8 x 26 in. (154.8 x 66.1 cm.)
Price realised
USD 115,000,000
771664007337738240
“You really need faith in yourself to make art and to stand up for what you believe in.” — Elizabeth Peyton
Elizabeth Peyton (b. 1965)
Kurt with cheeky num-num
1995
oil on masonite
14 x 11 in. (35.5 x 27.9 cm.)
Price realised
USD 386,500
767599952224534528
“I write about my own work because I want to speak for myself. I might not be the only authority, nor the best authority, but I want to participate in the writing of my own history. Why should artists be validated by outside authorities. I don’t like being paternalised and colonised by every Tom, Dick or Harry that comes along (male or female).” — Marlene Dumas
748222843730460672
“The modern artist is working with space and time and expressing his feelings rather than illustrating.”
— Jackson Pollock
747773246107156480
Richard Serra. Television Delivers People. 1973
747738021520130048
Installation photo of Richard Serra Sculpture: Forty Years, The Museum of Modern Art, New York, June 3–September 24, 2007. Photo: Lorenz Kienzle
747592112935174144
747483840922173440
“We now call it the community industry. The history of the web went as follows: at first it was military, then education and now commerce oriented. What are the possibilities of artists in the confrontation with these three systems? All of the time you can notice the anti-authoritarian spirit that changes flavour. At one stage it is simply pacifist. At another time, when it comes to education, it deals with intellectual independence. As Twain once said: “I’ve never let my school interfere with my education”.
Right now, we live in a corporate atmosphere. The dominant frame in the artistic field is decorative art, but I cannot waste my time discussing it. In new media art, the radical and experimental artists always confront the dominant frame. And right now, it is the community industry that provides the most useful grip that the corporate world can possibly have on the online population. You have all these various dimensions of self-‐disclosure, and when you disclose things about yourself you share parts of your privacy that feed the system. And I think this is a good topic for artists. I am currently working on a project with Heath Bunting. I think this is a good topic because people are blind, they behave as sheep.” — Vuk Ćosić
Vuk Ćosić
Deep ASCII
2021
Token ID: 0
Contract Address: 0x2C3c…dfFc
Non-Fungible Token: ERC-1155
MP4: 46.1 MB (48,440,942 bytes), 742x1034px, 00:01:19
From the 1998 full length video Deep ASCII, running time 59 minutes
Estimate
£40,000 – 50,000