idea
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Cutting Scale by Jim Termeer
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by The Designers Republic
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When works of art are presented like rare butterflies on the walls, they’re decontextualized. We admire their beauty, and I have nothing against that, per se. But there is more to art than that.
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An idea that is not dangerous is unworthy of being called an idea at all.
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On My Mind: The importance of words
There is of course a
difference between words in the artist’s mind and words of critique or
review. The artist’s words are words of intent, of defining the vision
or painting’s aim, and may be silent, or private. The critic’s words are
to conjure the achieved effect of the artist as the critic sees it. I
think trying to define what and why you are painting is important. These
words can enrich the way in which you put paint down, they can
determine what you choose to eliminate or emphasize. In itself a title
to a painting is already a lead-in both for you the artist and for your
viewer. I was recently looking at work of Korean painter whose work is
entirely abstract, a color field. His titles pertain to Korean pottery
referencing celadon and antique glazes. No question that expands one’s
appreciation/viewing.
—Anonymous
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If you have a business idea that’s extremely easy to copy, that can often become something of a challenge or problem.
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Digital art, computer art, internet art, hard-edge painting, geometric abstraction, appropriation, hyperrealism, photorealism, expressionism, minimalism, lyrical abstraction, pop art, op art, abstract expressionism, color field painting, monochrome painting, neo-expressionism, collage, decollage, intermedia, assemblage, digital painting, postmodern art, neo-Dada painting, shaped canvas painting, environmental mural painting, graffiti, figure painting, landscape painting, portrait painting, are a few continuing and current directions at the beginning of the 21st century.