installation art
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Korakrit Arunanondchai
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Hans Haacke, Condensation Cube, 1963-65
Installation“I have partially filled Plexiglas containers of a simple stereometric form with water and have sealed them. The intrusion of light warms the inside of the boxes. Since the inside temperature is always higher that the surrounding temperature, the water enclosed condenses: a delicate veil of drops begins to develop on the inside walls.
At first they are so small that one can distinguish single drops from only a very close distance. The drops grow, hour by hour, small ones combine with larger ones. The speed of growth depends on the intensity and the angle of the intruding light. After a day, a dense cover of clearly defined drops has developed and they all reflect light. With continuing condensation, some drops reach such a size that their weight overcomes the forces of adhesion and they run down along the walls, leaving the trace. This trace starts to grow together again. Weeks after, manifold traces, running side by side, have developed. According to their respective age, they have drops of varying sizes. The process of condensation does not end.
The box has a constantly but slowly changing appearance that never repeats itself. The conditions are comparable to a living organism that reacts in a flexible manner to its surroundings. The image of condensation cannot be precisely predicted. It is changing freely, bound only by statistical limits. I like this freedom.”HANS HAACKE, 1965
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The value of art
The value of art can be understood in multiple dimensions:
1. Cultural and Historical Significance: Art often captures the cultural, social, and historical contexts of the time in which it was created. It can serve as a record of human experience and a way to communicate across generations.
2. Emotional and Aesthetic Impact: Art has the power to evoke emotions, provoke thought, and provide aesthetic pleasure. Its ability to resonate with individuals on a personal level adds to its value.
3. Economic Value: Art can have significant monetary value, determined by factors such as the artist’s reputation, rarity, historical importance, and demand within the art market. This economic aspect is evident in auctions and private sales of artwork.
4. Symbolic Value: Art can carry symbolic meaning, representing ideals, beliefs, or social commentary. This can increase its value in the eyes of those who share or appreciate these symbols.
5. Personal Value: For many, art holds personal value, whether it’s a family heirloom, a piece that resonates with their personal experiences, or something that simply brings them joy.
In essence, the value of art is subjective and multifaceted, varying greatly depending on the context in which it is viewed and appreciated.
By ChatGPT
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“Being happy is more important than anything else.”
— Jenny Holzer
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White cube
Refers to a certain gallery aesthetic characterised by its square or oblong shape, white walls and a light source usually from the ceiling
The aesthetic was introduced in the early twentieth century in response to the increasing abstraction of modern art. With an emphasis on colour and light, artists from groups like De Stijl and the Bauhaus preferred to exhibit their works against white walls in order to minimise distraction. The white walls were also thought to act as a frame, rather like the borders of a photograph. A parallel evolution in architecture and design provided the right environment for the art.
In 1976 Brian O’Doherty wrote a series of essays for Artforum magazine, later turned into a book called Inside the White Cube, in which he confronted the modernist obsession with the white cube arguing that every object became almost sacred inside it, making the reading of art problematic.