According to information provided by the Human Rights Foundation on 7 August and verified by ArtReview, representatives of the Bangkok Metropolitan Administration (the main funder of BACC) accompanied by Chinese embassy officials visited the exhibition on 27 July, three days after it opened, and flagged several works as ‘problematic’. Works by Hong Kong artists Clara Cheung and Gum Cheng Yee Man, Tibetan artist Tenzin Mingyur Paldron and Uyghur artist Mukaddas Mijit were removed or obscured and the names of the artists were blacked out.
“It is impossible for someone to lie unless he thinks he knows the truth. Producing bullshit requires no such conviction. A person who lies is thereby responding to the truth, and he is to that extent respectful of it. When an honest man speaks, he says only what he believes to be true; and for the liar, it is correspondingly indispensable that he considers his statements to be false. For the bullshitter, however, all these bets are off: he is neither on the side of the true nor on the side of the false. His eye is not on the facts at all, as the eyes of the honest man and of the liar are, except insofar as they may pertain to his interest in getting away with what he says. He does not care whether the things he says describe reality correctly. He just picks them out, or makes them up, to suit his purpose.”
“Real art doesn’t have a message, doesn’t necessarily say anything. It is an arrangement of shapes, a pattern of words. If you want an antidote to this idea of art, watch Bob Dylan manically arranging and rearranging words on a shop sign he and the band spotted one day. That is art.”
“Humans are prone to the principle of least effort, often known as the ‘path of least resistance,’ which means they’ll go for whatever option requires the least work. Hypocrisy allows you to appear principled without having to be so, which is much easier than adhering to strict principles.”
“I write about my own work because I want to speak for myself. I might not be the only authority, nor the best authority, but I want to participate in the writing of my own history. Why should artists be validated by outside authorities. I don’t like being paternalised and colonised by every Tom, Dick or Harry that comes along (male or female).”
