“The job of the artist is to make the world visible.”
David Park (1911-1960) Boy in Striped Shirt signed and dated ‘Park 59’ (upper left); titled ‘BOY IN STRIPED SHIRT’ (on the overlap) oil on canvas 50 x 36 in. (127 x 91.4 cm.) Painted in 1959. Price realised USD 1,323,750
“The Metropolitan Police is examining whether the recent work, which shows a judge in a wig and gown beating a protester holding a blood-splattered placard, is enough to put him in front of the court where his name would be revealed to the public.”
“Christie’s is closing its digital art department and has parted ways with Nicole Sales Giles, the auction house’s vice president of digital, Now Media reported Monday.”
Bischoff, who in 1976 told Paul Karlstrom: “I’m still supporting myself by teaching,” had only two one man shows before his first New York show at Staempfli Gallery in 1960, including a 1955 show at the Paul Kantor Gallery in Los Angeles from which nothing sold. In contrast, leading artists in New York benefitted from a booming art market. For example, Willem de Kooning’s 1959 New York show sold out on the first day, bringing in about $150,000 (about $1.2 million dollars today, when adjusted for inflation).
Of course, de Kooning was a sensation, but many other New York artists sold well while California artists struggled. In this situation, decently paying teaching jobs were a rare and precious commodity. When it was rumored in 1955 that David Park had been offered $10,000 per year to teach at UC Berkeley, artist Nathan Oliveira – who at the time was earning $2.50 per hour teaching art 18 hours per week – thought that Park had been given “the opportunity of a lifetime.” As it turns out, Park’s actual starting annual salary was $5,300.00.
Elmer Bischoff Seated Figure in Garden 1958 Oil on canvas 47 ¾ × 56 3/4in. Whitney Museum of American Art, New York
