portraitart
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I’d be a little jealous if your art made it into MoMA!
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“My painting is not violent, it’s life that is violent. Even within the most beautiful landscape, in the trees, under the leaves, the insects are eating each other; violence is a part of life. We are born with a scream; we come into life with a scream and maybe love is a mosquito net between the fear of living and the fear of death.”
Francis Bacon
Study for Portrait
1977
oil and dry transfer lettering on canvas
78 x 58 1/8 in.
Price realised
USD 49,812,500
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“It is important to express oneself…provided the feelings are real and are taken from you own experience.”
Berthe Morisot (1841-1895)
Après le déjeuner
1881
oil on canvas
31 7/8 x 39 3/8 in.
Price realised
GBP 6,985,250
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“If I saw the art around me that I liked, then I wouldn’t do art.”
John Baldessari
Inflatable Women/Divers/Baby
1988
Black and white photographs, oil tint, and vinyl paint
91 x 72½ in.
Price realised
USD 314,500
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“I’d always wanted to know the difference between a mark that was art and one that wasn’t.” — Roy Lichtenstein
Roy Lichtenstein (1923-1997)
Kiss III
1962
Magna on canvas
64 x 48 in.
Price realised
USD 31,135,000
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Fine vs Decorative Art
If a painting is created mainly to match a luxurious interior rather than to express something deeply personal or challenge ideas, then it leans more toward decorative art, even if it’s technically a painting. It becomes part of the decor rather than a standalone statement.
That raises an interesting question—does the intent of the artist or the way the artwork is used define whether it’s fine art or decorative art? If someone paints with raw emotion and meaning but it ends up as a luxury wall piece, does that change what it is?
Especially with modern abstract painting—it’s everywhere in high-end homes, hotels, and corporate spaces. A lot of it seems designed to be aesthetically pleasing but not too thought-provoking, so it blends into the environment rather than demanding attention. It feels like abstraction has been commercialized into a luxury good rather than a form of deep expression, at least in many cases.
Of course, that doesn’t mean all abstract art today is purely decorative. There are still artists pushing boundaries and using abstraction in meaningful ways. But a lot of what sells seems to be more about fitting a vibe than saying something.
By ChatGPT
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“Where there is no shadow, there is no light.”
Michelangelo Merisi da Caravaggio (1571-1610)
The Taking of Christ
1602
oil on canvas
133.5 cm × 169.5 cm (52.6 in × 66.7 in)
National Gallery of Ireland
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“I blur things to make everything equally important and equally unimportant. I blur things so that they do not look artistic or craftsmanlike but technological, smooth and perfect. I blur things to make all the parts a closer fit. Perhaps I also blur out the excess of unimportant information.”
Gerhard Richter (b. 1932)
Zwei Liebespaare
signed, titled and dated ’“Zwei Liebespaare” Richter 66’ (on the reverse)
oil on canvas
45¼ x 63in. (115 x 160cm.)
Painted in 1966
Price realised
GBP 7,300,500
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Paintings from thrift stores.
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“You are a light. You are the light. Never let anyone — any person or any force — dampen, dim or diminish your light … Release the need to hate, to harbor division, and the enticement of revenge. Release all bitterness. Hold only love, only peace in your heart, knowing that the battle of good to overcome evil is already won.” — John Lewis
John Lewis
2020
Watercolor on paper
12 x 9 in
Price: Not for Sale
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Many artists do start with realism because it helps build foundational skills like observation, proportion, and technique. Over time, some move toward abstraction as they become more interested in expressing ideas, emotions, or experimenting with form and color beyond literal representation.
However, not all artists follow this trajectory. Some dive straight into abstraction, while others stick with realism their entire lives. It really depends on the artist’s interests, influences, and creative journey.
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“Unlike the artists behind many of Shaw’s thrift-store paintings, the “bad painters” of art history were often technically skilled. They made a conscious decision to ignore the standards of good taste and good style, which wasn’t always intuitive.”
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“What a funny thing painting is. The abstract painters always insist on their connection with the visible reality, while the so called figurative artists insist that what they really care about, is the abstract qualities of life.”
Marlene Dumas (b. 1953)
The White Disease
signed, titled and dated ‘The White disease Marlene Dumas 1985’ (on the reverse)
oil on canvas
51 3/8 x 43½ in. (130.5 x 110.5 cm.)
Painted in 1985.
Price realised
USD 998,500
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“You really need faith in yourself to make art and to stand up for what you believe in.”
Elizabeth Peyton (b. 1965)
Annette Greenwich St.
signed with the artist’s initials, titled and dated ‘Annette Greenwich St. EP 2004’ (on the reverse)
oil on panel
14 x 11 in. (35.5 x 27.9 cm.)
Painted in 2004.
Price realised
USD 365,000