Realism
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“What a funny thing painting is. The abstract painters always insist on their connection with the visible reality, while the so called figurative artists insist that what they really care about, is the abstract qualities of life.”
Marlene Dumas (b. 1953)
The White Disease
signed, titled and dated ‘The White disease Marlene Dumas 1985’ (on the reverse)
oil on canvas
51 3/8 x 43½ in. (130.5 x 110.5 cm.)
Painted in 1985.
Price realised
USD 998,500
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“Everybody starts by imitating their heroes. For me it was Chuck Berry and Muddy Waters.”
— Keith Richards
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How to deal with an art copycat – ARTiful: painting demos
“Then you can choose to take the high road, consider that imitation is a form of flattery so to speak and decide to not spend too much energy on the issue. Publicize your art as much as you can and make it sure serious buyers and art galleries know that your style is genuinely yours. Copycats usually get tired after a while: after all there is not much personal satisfaction in copying and they will often go from copying one artist to copying another. What they are copying is also something you did in the past, and because you are the creative force behind the art that is being copied, you often moved on to the next step in your art journey being always one step ahead. You own the creative tools, they are just replicating an end product.”
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John Singer Sargent
In a Levantine Port
ca. 1905 – 1906
Translucent watercolor and touches of opaque watercolor with graphite underdrawing on paper
12 1/16 x 18 1/8 in. (30.6 x 46 cm.)
Brooklyn Museum
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How to deal with an art copycat – ARTiful: painting demos
“Then you can choose to take the high road, consider that imitation is a form of flattery so to speak and decide to not spend too much energy on the issue. Publicize your art as much as you can and make it sure serious buyers and art galleries know that your style is genuinely yours. Copycats usually get tired after a while: after all there is not much personal satisfaction in copying and they will often go from copying one artist to copying another. What they are copying is also something you did in the past, and because you are the creative force behind the art that is being copied, you often moved on to the next step in your art journey being always one step ahead. You own the creative tools, they are just replicating an end product.”
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“Genuine individuals require no validation, while pretenders feel compelled to prove themselves.”
— Do Not Destroy