Surrealism

72 items found

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“The Museum of Modern Art in New York has acquired eight CryptoPunks and eight Chromie Squiggles for its permanent collection, marking one of the most significant institutional endorsements of onchain art to date.”

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A movement forms when:
– the work keeps evolving while imitators stay static
– the idea expands beyond a single form
– viewers begin to reference the thinking, not the image

As Marcel Duchamp showed, once the idea is stronger than the object, imitation loses its power.

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donotdestroy:

“Then you can choose to take the high road, consider that imitation is a form of flattery so to speak and decide to not spend too much energy on the issue. Publicize your art as much as you can and make it sure serious buyers and art galleries know that your style is genuinely yours. Copycats usually get tired after a while: after all there is not much personal satisfaction in copying and they will often go from copying one artist to copying another. What they are copying is also something you did in the past, and because you are the creative force behind the art that is being copied, you often moved on to the next step in your art journey being always one step ahead. You own the creative tools, they are just replicating an end product.”

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“Foundation is a decentralized NFT marketplace launched in early 2021. It aims to connect digital artists and collectors through a platform that emphasizes quality and originality. Unlike other marketplaces that prioritize volume, Foundation focuses on curating a selection of high-quality NFTs, making it a popular choice for serious artists and collectors.”

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Artist Diversity in Art Industry

Art Industry Representation

White artists: 75–85%

Black artists: 8–10%

Asian artists: 6–8%

Latino artists: 3–5%

Other / mixed: 2–4%

Approximate averages based on museums, galleries, exhibitions, and art market data.

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“Art can be deeply meaningful, but so can teaching, engineering, raising a family, repairing bicycles, or running a small shop. When someone can’t see the value in other people’s choices, it usually comes from a narrow mindset and a limited perspective.”

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“I used language because I wanted to offer content that people – not necessarily art people – could understand.”

Jenny Holzer
Formica 3085 yellow white, 2007
Oil on linen
147.3 × 111.8 cm
58 × 44 inches

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