“I write about my own work because I want to speak for myself. I might not be the only authority, nor the best authority, but I want to participate in the writing of my own history. Why should artists be validated by outside authorities. I don’t like being paternalised and colonised by every Tom, Dick or Harry that comes along (male or female).”
Marlene Dumas Miss January 1997 oil on canvas 110 ¼ x 39 3⁄8 in. Price realised USD 13,635,000
“Abstract means literally to draw from or separate. In this sense every artist is abstract for he must create his own work from his visual impressions. A realistic or non-objective approach makes no difference. The result is what counts.” — Richard Diebenkorn
Richard Diebenkorn (1922-1993) Ocean Park No.121 1980 oil on canvas 78¼ x 78 3/8 in. Price realised USD 7,698,500
“Real art doesn’t have a message, doesn’t necessarily say anything. It is an arrangement of shapes, a pattern of words. If you want an antidote to this idea of art, watch Bob Dylan manically arranging and rearranging words on a shop sign he and the band spotted one day. That is art.”
“Impressionism was the name given to a certain form of observation when #Monet, not content with using his eyes to see what things were or what they looked like as everybody had done before him, turned his attention to noting what took place on his own retina (as an oculist would test his own vision).”
JohnSingerSargent The Black Brook c.1908 Oil paint on canvas 552 × 698 mm
“The powerhouse Blum gallery, which has locations in Los Angeles and Tokyo, and which planned to open a new New York space this fall, has laid off most of its staff and plans to cease brick-and-mortar operations.”
“There are no guidelines for what happens when you get successful as an artist. My heroes were artists like Acconci, and he didn’t make any money. That’s what I thought success was.” — Robert Longo
Bischoff, who in 1976 told Paul Karlstrom: “I’m still supporting myself by teaching,” had only two one man shows before his first New York show at Staempfli Gallery in 1960, including a 1955 show at the Paul Kantor Gallery in Los Angeles from which nothing sold. In contrast, leading artists in New York benefitted from a booming art market. For example, Willem de Kooning’s 1959 New York show sold out on the first day, bringing in about $150,000 (about $1.2 million dollars today, when adjusted for inflation).
Of course, de Kooning was a sensation, but many other New York artists sold well while California artists struggled. In this situation, decently paying teaching jobs were a rare and precious commodity. When it was rumored in 1955 that David Park had been offered $10,000 per year to teach at UC Berkeley, artist Nathan Oliveira – who at the time was earning $2.50 per hour teaching art 18 hours per week – thought that Park had been given “the opportunity of a lifetime.” As it turns out, Park’s actual starting annual salary was $5,300.00.
Elmer Bischoff Orange Sweater 1955 Oil on canvas 48 ½ in. x 57 in. SFMoMA collections
“Art for the most part, is about concentration, solitude and determination. It’s really not about other people’s needs and assumptions. I’m not interested in the notion that art serves something. Art is useless, not useful.”
“Art for the most part, is about concentration, solitude and determination. It’s really not about other people’s needs and assumptions. I’m not interested in the notion that art serves something. Art is useless, not useful.”
Richard Serra (b. 1938, San Francisco) Strike: To Roberta and Rudy 1969–71 Hot-rolled steel 8 ft 1 in x 24 ft x 1 ½ in Guggenheim Museum, New York
