modern art

127 items found

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Eggplant & Pears by Charles Demuth

Influenced by Cubism and Futurism, Precisionism took for its main themes industrialisation and the modernization of the American landscape, the structures of which were depicted in precise, sharply defined geometrical forms.

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The Power of Art – Mark Rothko 

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“I am not an abstractionist.. .I am not interested in the relationships
of color or form or anything else.. .I’m interested only in expressing
basic human emotions — tragedy, ecstasy, doom and so on — and the fact
that a lot of people break down and cry when confronted with my pictures
show that I communicate those basic human emotions.. .The people
who weep before my pictures are having the same religious experience I
had when I painted them. And if you, as you say, are moved only by their
color relationships, then you miss the point!”— Mark Rothko 

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I can’t say I’m wiser; I’m probably more foolish. But I think I’ve accepted that making things that are beautiful is interesting, whereas before I was not interested in beauty at all. I was anti-beauty, I would say. I like that something reveals itself slowly, it doesn’t have to shout it. That’s shocked me.” It was having children that changed her work. “I find watching them so beautiful that I have accepted that sort of beauty into my life.

— Jenny Saville/ The Guardian’s interview

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In Advance of the Broken Arm, 1915, 4th version 1964. By Marcel Duchamp

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Keep it real.

Art by Jenny Saville

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1985-90 by Guerrilla Girls 

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Art by Korakrit Arunanondchai 

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“For me, art really starts with acceptance, self trust. Wherever you come to with art, it’s perfect. You don’t have to come with anything. What you bring to something is the art. That’s where it’s found. It’s found within you.”–Jeff Koons/Rabit

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A Picture of Dorian Gray

The artist is the creator of beautiful things. To reveal art and conceal the artist is art’s aim.

The critic is he who can translate into another manner or a new material his impression of beautiful things.

The highest as the lowest form of criticism is a mode of autobiography.

Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault.

Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope.

They are the elect to whom beautiful things mean only beauty.

No artist desires to prove anything. Even things that are true can be proved.

No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style.

No artist is ever morbid. The artist can express everything.

Thought and language are to the artist instruments of an art.

Vice and virtue are to the artist materials for an art.

From the point of view of form, the type of all the arts is the art of the musician. From the point of view of feeling, the actor’s craft is the type.

All art is at once surface and symbol.

Those who go beneath the surface do so at their peril.

Those who read the symbol do so at their peril.

It is the spectator, and not life, that art really mirrors.

Diversity of opinion about a work of art shows that the work is new, complex, and vital.

When critics disagree, the artist is in accord with himself.

We can forgive a man for making a useful thing as long as he does not admire it. The only excuse for making a useless thing is that one admires it intensely.

All art is quite useless.

Oscar Wilde, from ‘A Picture of Dorian Gray’

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“I don’t believe in art. I believe in artists.”— Marcel Duchamp (28 July 1887 – 2 October 1968)

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“I used to think I was the strangest person in the world but then I
thought there are so many people in the world, there must be someone
just like me who feels bizarre and flawed in the same ways I do.  I
would imagine her, and imagine that she must be out there thinking of me
too.  Well, I hope that if you are out there and read this and know
that, yes, it’s true I’m here, and I’m just as strange as you.”—Frida Kahlo

Happy Birthday.

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