Kitano Gempo, abbot of Eihei temple, was ninety-two years old when he passed away in the year 1933. He endeavored his whole life not to be attached to anything. As a wandering mendicant when he was twenty he happened to meet a traveler who smoked tobacco. As they walked together down a mountain road, they stopped under a tree to rest. The traveler offered Kitano a smoke, which he accepted, as he was very hungry at the time.
“How pleasant this smoking is,” he commented. The other gave him an extra pipe and tobacco and they parted.
Kitano felt: “Such pleasant things may disturb meditation. Before this goes too far, I will stop now.” So he threw the smoking outfit away.
When he was twenty-three years old he studied I-King, the profoundest doctrine of the universe. It was winter at the time and he needed some heavy clothes. He wrote his teacher, who lived a hundred miles away, telling him of his need, and gave the letter to a traveler to deliver. Almost the whole winter passed and neither answer nor clothes arrived. So Kitano resorted to the prescience of I-King, which also teaches the art of divination, to determine whether or not his letter had miscarried. He found that this had been the case. A letter afterwards from his teacher made no mention of clothes.
“If I perform such accurate determinative work with I-King, I may neglect my meditation,” felt Kitano. So he gave up this marvelous teaching and never resorted to its powers again.
When he was twenty-eight he studied Chinese calligraphy and poetry. He grew so skillful in these arts that his teacher praised him. Kitano mused: “If I don’t stop now, I’ll be a poet, not a Zen teacher.” So he never wrote another poem.
Years of study, decades of creation—still invisible. Yet someone with no training, no background, and one NFT can be crowned a genius, while the professional artist collects dust—on their portfolio.
When one goes to Obaku temple in Kyoto he sees carved over the gate the words “The First Principle.” The letters are unusually large, and those who appreciate calligraphy always admire them as being a masterpiece. They were drawn by Kosen two hundred years ago.
When the master drew them he did so on paper, from which workmen made the larger carving in wood. As Kosen sketched the letters a bold pupil was with him who had made several gallons of ink for the calligraphy and who never failed to criticize his master’s work.
“That is not good,” he told Kosen after the first effort.
“How is that one?”
“Poor. Worse than before,” pronounced the pupil.
Kosen patiently wrote one sheet after another until eighty-four First Principles had been accumulated, still without the approval of the pupil.
Then, when the young man stepped outside for a few moments, Kosen thought: “Now is my chance to escape his keen eye,” and he wrote hurridly, with a mind free from disctraction. “The First Principle.”
Homophobia encompasses a range of negative attitudes and feelings toward homosexuality or people who identify or are perceived as being lesbian, gay or bisexual. It has been defined as contempt, prejudice, aversion, hatred, or antipathy, may be based on irrational fear and may sometimes be attributed to religious beliefs. Homophobia is observable in critical and hostile behavior such as discrimination and violence on the basis of sexual orientations that are non-heterosexual.
Boys Beware, a 1961 US social guidance film warning boys to beware the “predatory” dangers of homosexual men. The film pushes the common homophobic tropes that homosexuality is a mental illness, and that gay men are pedophiles.
Homophobia refers to prejudice, fear, or dislike toward people who identify as or are perceived to be lesbian, gay, or bisexual. This bias can manifest in negative attitudes, discriminatory behavior, or harmful actions against individuals based on their sexual orientation. It can arise from cultural, social, or personal beliefs and may lead to exclusion, harassment, or violence directed at LGBTQ+ individuals.
“Neither the king nor any member of the royal family has ever personally filed any charges under this law. In fact, during his birthday speech in 2005, King Bhumibol Adulyadej encouraged criticism: “Actually, I must also be criticized. I am not afraid if the criticism concerns what I do wrong, because then I know.” He later added, “But the King can do wrong”, in reference to those he was appealing to not to overlook his human nature.“
“Why escape your intended purpose by copying and trying to be someone else? You will discover who you were meant to be only after you have shown confidence being yourself.”
